Garden Horse

Garden Horse, 18x24" oil, Diane Mannion

Last Painting of 2015!

Garden Horse is last of 132 paintings for the year.  Every time I finish one I post on this blog... it's a tradition that holds it all together for me.  An archive of my work, some teaching and technical information, or simply art news of the day since 2008!  

This painting went through many more stages than the two progress photos here.  I like working on a series and this one relates to Vintage Copper, same size and still life.  Will explore painting still lifes outside for the rest of this series.  Garden Horse was a bit of both.  Set it up outside then brought plants inside later to finish.  

Two stages of underpainting.  Signed the first stage because I knew I'd finish it and it's easier scratching name in wet paint but repainted over later to bring flower pot along with rest of painting.

Have a happy, healthy, and creative New Year, Everyone!

Door of Mercy

Door of Mercy, 8x10" oil, plein air revisited, Diane Mannion

Before and After

Painting on a painting... revisited a study that I did a few years ago and painted on top.  The traveler's palm on the right was twice as tall today as it was then. 

This is how it looked before.  I noticed how the light moved from warm to cool on the building.  Added more plant detail and light on the royal palms.  Happier with it!

Click here for the original demo.

Christmas trees were planted while I painted with the Peace River Painters this morning.  

A few of us went to Temptation Restaurant for lunch... excellent!

And Sharon Yarbrough sold her painting wet off the easel!

Sharon putting finishing touches on her SOLD painting.

Vintage Copper

Vintage Copper, 18x24" oil, Diane Mannion

Playing with Patterns and Light

Always on the lookout for still life objects, this vintage copper pitcher caught my eye at the Hughes Gallery where it was graciously loaned.  The hanging 1950's tablecloth was purchased in an antique shop, and the bottom one was a lucky find in a Maine thriftshop (kept me warm during a long cold night in the Portland airport waiting for a flight home).  

The blue Ball canning jar and the ceramic turquoise pitcher are part of my still life object collection and have been painted many times.   I consider these objects "actors" waiting in the wings!

A small part of my collection waiting to be painted...  or for one heck of a garage sale.

Boathouse

Boathouse, 8x10" oil, plein air, Diane Mannion

Spanish Point

Once in a while, like catching a big fish, or golfing hole-in-one (although I've never played golf!), a painting works out better than expected.  Maybe, one in thirty or fifty plein air paintings are keepers right from the field.  Stayed a bit longer to finish this one because I knew it was going well.  Oh, happy day!

Wonderful seeing so many friends and painters with the Light Chasers this morning.  Loved it when a total stranger hugged me and said she loved my painting.  Her husband said, "It looks just like a photo (urgh), but the nice lady said... "It's BETTER than a photo!"  I know folks say it looks like a photo as a compliment, but I want my paintings to look like paintings, not photos.

Location shot, left out the black plastic bag behind the boat and simplified a bit.

Sandy Acres

Sandy Acres, 8x10" oil, plein air, Diane Mannion

Sandy Acres Ranch

 Peace River Painters were invited to paint at the home and studio of artist Laszio Kohanec this morning.  Over four hundred acres of fields, ponds, and animals.  What a treat!

Left my quick study of Eileen painting as it was fresh from the field.  Could have fussed and fiddled from photo reference later, but like it as is.  Sun was in and out of the clouds, difficult, constantly changing painting conditions.  Saw sun patterns in foreground and locked them in.

I compressed and simplified a lot, as the location photo shows.

Cameras never capture the color! 

And YES... there were gators in that pond!  

Donkeys brayed like watchdogs when cars pulled in.

 

Ringling Light

Ringling Light, 8x10" oil, Diane Mannion

Ringling Museum, Sarasota

Katie Dobson Cundiff painted a fabulous demo yesterday for about sixty artists and members of 

the Light Chasers. 

Here's Katie during the demo.  I'll be taking her workshop in March!

Afterwards, I found a spot in the shade along a path and painted with some friends.  Loved the light hitting the grasses near an old statue, and the red flowers on the distant porch.  I was only able to get to the halfway point on location.

My very loose thumbnail sketch

Painting as it looked before mosquitoes chased me away.   Captured color notes and atmosphere and knew I'd finish the statue and add more details from photo reference later.  Sometimes, it's the last 10%, finishing touches of light that makes a painting work.

Good news!

Jade Plant, 8x10" oil, Diane Mannion

SOLD at the HUGHES GALLERY, Boca Grande, FL

 

Texaco

Texaco, 8x10" oil, Diane Mannion

UPDATED POST

Plein Air to Studio

Painted with the Peace River Painters this morning at the Nav-A-Gator.  Arrived late and left early.  Happy the sun came out long enough to get one started.  

Thumbnail sketch.

Underpainting done on location.  Indian yellow tinted gesso on panel.

This was the image first posted which had a purple glare that wasn't in original painting.  Kind of liked the glare and let it influence my revision.  Tinkered a bit more with the final image above.  

Painted the same sign a few years ago on a 6x6" panel.  Nice to see a few repairs to the shed.

Doug

Doug, 10x8" oil, Diane Mannion

Portrait on Portrait

Two hour study painted from life at the Venice Art Center Portrait Studio yesterday.  Always good practice and fun painting along with friends.  

Painted on top of an old oil portrait which I didn't like.  Used white oil paint tinted with Indian yellow to paint over the old, horrible portrait leaving the rough texture as it was.  This background treatment was completely dry before I started.  There are patches on bottom right that have been left uncovered.

The original portrait was painted on thick gesso on masonite allowing the gesso brushmarks to show. 

Started with a color block-in method rather than drawing the face first.  Wanted to capture the gesture of the pose as a figurative study rather than a simple face study.  Wished I had had a larger board because I originally wanted to include the hands.  If I had, the head would have been too small for detail.  There is only so much that can be painted in two hours, probably less if breaks are counted!

Farlow's

Farlow's, 10x8" oil, Diane Mannion

Cloudy Days

This painting was a double challenge.  Painting on a cloudy day... no strong shadows.  Painting while under emotional distress.

Started as a plein air on a cloudy day in a very unexciting location (at least for me) at a local restaurant with fresh plantings (no weeds, no character).  Wish I had taken a snapshot of the first attempt which was pretty awful. 

Liked the flower pot and color of the plants but had to do a lot of re-landscaping.  

Days later, painted from this photo reference but could not get it to work.

 

Bought a few plants to match the ones from original location, and added the foreground pot from my own yard.  Painted from life outside on another cloudy day. 

Discovered I can paint on cloudy days while under duress and save a painting from the garbage bin!

My Miserable Thumbnail Sketch